His latest small-screen endeavor, The Man Who Fell to Earth, premiered on Showtime on April 24. While Kurtzman has stepped away from the monster genre, he hasn't shied away from tackling new iterations of past works.
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Amongst those projects, there is a monster movie centered around Dracula-adjacent character Renfield, a Ryan Gosling-led Wolfman film helmed by Derek Cianfrance, and Blumhouse's adaptation of The Thing's source novel. Universal is now focused on building out its monster portfolio with even more high-profile titles, many of which are already in development. The rest of this comprehensive guide and be used as a re ference whenever you need more information. If you have not used Pinnacle Studio before, we recommend that you review this section and Using Pinnacle Studio on page 5. Universal's first attempt at launching its own Monsterverse (dubbed "The Dark Universe") may not have gone according to plan, with The Mummy reboot failing to make a lasting impact at the box office, but the studio later found success with The Invisible Man starring Elizabeth Moss, which earned $98.3 million on a budget of only $7 million when it hit theaters in 2020. Studio 25, powerful and crea tiv e video editing software. I will literally not proceed when I feel that feeling."
"That has been a real gift, and I feel those gifts all the time because I'm very clear now when I have a feeling that doesn't feel right - I am not quiet about it anymore. "As brutal as it was, in many ways, and as many cooks in the kitchen as there were, I am very grateful for the opportunity to make those mistakes because it rebuilt me into a tougher person, and it also rebuilt me into a clearer filmmaker," he shared. However, he noted that the experience gave him more knowledge and insight into the filmmaking process and that he's much more likely to trust his instincts from now on. The Mummy reboot marked Kurtzman's second time sitting in the director's chair for a feature, following 2012's People Like Us, and he hasn't helmed another movie in the years since.
I didn't become a director until I made that movie, and it wasn’t because it was well-directed - it was because it wasn't." There's about a million things I regret about it, but it also gave me so many gifts that are inexpressibly beautiful. "And that was probably the biggest failure of my life, both personally and professionally. "I tend to subscribe to the point of view that you learn nothing from your successes, and you learn everything from your failures," Kurtzman said.
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